Saturday, July 2, 2016: Open House for Tamagusuku Ryu Senjukai Hawaii Frances Nakachi Ryubu Dojo

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Each gesture is an expression. Movements put together are a story. The music is a narration. Collectively they create Okinawan dance – a connection to ancient culture and ancestry. Come experience, for a day, the rich Ryukuan culture expressed through music and dance. Since 1997, Master Instructor Frances Nakachi has nurtured her students by teaching the values and traditions of Okinawan dance while teaching discipline and self-worth in a positive environment.

On Saturday, July 2, 2016, from 3:00 p.m. – 4:30 p.m. at the Mission Memorial Auditorium there will be a rare opportunity to experience an Okinawan dance lesson for FREE. Tamagusuku Ryu Senjukai Frances Nakachi Ryubu Dojo will present an Open House to all who are interested in learning to dance.

About Artistic Director Frances Nakachi
(http://www.senjukaihawaii.com/content/inside.php?id=4)

Nakachi Sensei was born and raised in Okinawa, Japan.  From the age of three, she began learning Ryukyu dance under the dual instruction of the acclaimed sisters, Yoshiko Tanita Sensei and Mieko Kinjo Sensei, co-directors of the Tamagusuku Ryu Senju Kai and are certified as the Preservers of Important Intangible Cultural Properties also known as Juyo Mukei Bunkazai Hojisha.

After graduating from high school in Okinawa,  she moved to Hawaii to attend Chaminade University.  Nonetheless, she traveled back and forth to continue her studies of dance and completed all three certifications of testing administered by the Ryukyu Shimpo Newspaper Company in Okinawa called the Geino Konkuru, performing Arts Contest.  The Geino Konkuru is an annual event where students of all branches of Okinawan traditional performing arts are judged by a panel of distinguished artists from each respective art form. There are three levels of testing that each student must pass, which are Shinjin sho, Newcomers’ Award, Yushusho, Award of Excellence, and Saikosho, Highest Award.  Frances Sensei has taken all the certifications for not only for the perpetuation of the Ryukyuan Arts and but for her mother who was the biggest fan.  Frances Sensei’s mother also used to dance Okinawan dance and it was her dream to have her older sister, Kathy and her to become teachers just like her senseis, Yoshiko sensei and Mieko Sensei.

In 1997, Frances started teaching Okinawan dance due to many inquires to learn Okinawan dance from her. She was moved by their seeking spirit to learn about the culture.  She felt that teaching will help her continue with her practice and contribute to the community through her dance.

On January 9, 1999, Frances had passed her certification exam in Okinawa and earned her Kyoshi license in Dance from her instructors, Yoshiko Tanita Sensei and Mieko Kinjo Sensei.  To commemorate her accreditation and to formally introduce  the Tamagusuku Ryu Senju Kai Frances Nakachi Ryubu Dojo to the community, she held her first recital at the Hawaii Theatre together with the centennial celebration of the Okinawan immigration to Hawaii entitled, Chu Hisa Na , Fulfilling Dreams, One Step at a Time.

On June 5, 2005,  Frances had passed the highest level of teaching certification exam in Okinawa and earned a Shihan license, Master Instructor license in Dance.  She mentioned that this certification gave her a deeper sense of commitment in preserving the culture and understanding that there are so much more to learn and share .  She mentions that the dance is always evolving and we must not stop learning.

Frances Sensei had performed and held recitals in numerous places in Hawaii such at the Hawaii Theatre, also known as the “Carnegie Hall of the Pacific”, Neal Blaisedell Center, Mamiya Theatre at Chaminade University,  Orvis Auditorium at University of Hawaii  just to name a few. She has also performed at a National Theatre of Japan in Okinawa, Fukuoka and many other places in Japan for cultural exchange. In 2009, she was invited to perform at the Carnegie Hall in New York and in 2014, she is dancing with her students at the Cherry Blossom Festival in Washington DC.

Also, Frances Sensei’s goal is to have students  take their certification testing in Okinawa like how she has taken the testing in Okinawa. She wants to have her students experience what she had learned and train both body and mind.  The students have the opportunity to be trained by the Grand Masters of Senjukai and other senior instructors. The training in Okinawa helps develop character, discipline, self confidence and a develop deeper sense of appreciation towards the culture. It is an life altering experience which helps the culture to be perpetuated and continued for many generations.

Currently, she teaches both children and adult classes at the Kilauea Community Center every Monday and Wednesday nights and performs at various community functions.
It is her mission to spread peace, joy and love by sharing the beauty of Okinawa’s Dance Arts to the world.  “Together, we can make a difference, one dance at a time.”

For more information about Tamagusuku Ryu Senjukai Hawaii, check out their website: www.senjukaihawaii.com.

Kokua for Tomomi Shimabukuro

    
I remember back in 1999, I went on my second trip ever to Okinawa. It was with the Hawaii United Okinawa Association’s Leadership Tour. The tour was organized and headed by N & K Travel. Owner Nadine Shimabukuro and Her daughter Tomomi treat their tour members like ohana, telling stories of love motels, nostalgia, and the best places to eat. I will never forget how much fun their tour was and how much I laughed! As one of the main travel agencies that connect people to Okinawa, as well as, other destinations around the world, they go above and beyond, even letting you know when your passport has expired. Returning to the motherland has, and always will be, an important part of being an Okinawan in Hawaii, people always come back with life altering stories and experiences. When you go with those like Nadine and Tomomi ,who understand that, it makes a huge difference. Right now, our friend Tomomi is experiencing some medical challenges, and needs the help of friends and family. Her sister, Ashley who lives in Chicago, Illinois, has started a Go Fund Me site to help raise funds to assist with medical bills. Ashley shared some words with me to express what Tomomi’s challenges are and what she means to her family, friends and the community.

“Tomomi has had surgery for two hepatic artery aneurysms that were terminal if not removed. It was a twelve hour procedure that was located in a sensitive area. She still has to have surgery for other complications. This is going to be a long term procedure.” As an outgoing person, Tomomi will have challenges not being able to do all the things she would like. She loves her job at the travel agency, but must limit the amount of time she works.

Ashley goes on to explain, “My sister volunteers for our club (Nakagusuku Club) at the (Hawaii United Okinawa Association) Okinawa Festival. She does tours with my mom for the business for the Uchinanchu Taikai (a major global event that takes place in Okinawa every 5 years), and she goes to the Okinawa Center to volunteer and participate by going to the events as well. For my family, she helps mom with her business, my dad with things he can’t understand, being that English is his second language, helps my brother by spending time with nephews and niece, she also helps my grandmother, which I used to do, when I used to live there (on Oahu) by taking her shopping, spending time, having lunch, and what not. She’s always there for her friends and when they’re down, she is sympathetic towards them.”

Tomomi is expected to need CT scan to check for clots in her veins. She continues to experience complications with her condition and could use our emotional and financial support. You can either help by clicking on the link to make donations or spread the word to others who can help. So many of us benefit from having Tomomi and her family in our lives, now is the perfect time to show our gratitude.

Click to Help Tomo Out

 

DRUMS OF HOPE: A BENEFIT TO ASSIST THE HAWAII UNITED OKINAWA ASSOCIATION AND THE FUKUSHIMA RELIEF EFFORT

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BOOM, BOOM, BOOM” go the drums struck by windstorm dancers with their rallying cry – “HAI YA IYASASA!”

If you have ever heard of, or, experienced the last four Eisa Festivals at Kapiolani Community College in the past years, then you know why the popularity of this dynamic annual production has grown. On Sunday, July 12th, you better hold on to your bentos, because the 5th Annual Eisa Festival, entitled “Drums of Hope” will blow you away!

The theme of this presentation will demonstrate how culture can provide a light to cast on the darkest of times. Great tragedies often birth great love and a coming together of communities, prefectures, and even countries around the world. The survivors of the 2011 Fukushima earthquake are still in need of your kokua. Part of the proceeds from “Drums of Hope” will support the Hawaii United Okinawa Association and the Fukushima Relief Effort. Together drummers, chanters, singers, dancers, and martial artists from Hawaii, Okinawa, and Fukushima will form a powerful force of drums and hearts beating together.

Returning all the way from Okinawa will be the acclaimed artist and director Daiichi Hirata, known for his explosive choreography that is most appropriately described as “magical,” as well as, a special performance by Kazufumi Miyazawa, lead singer of The Boom! known by many for their hit song Shima Uta.

Hawaii performers include Chinagu Eisa Hawaii, Hawaii Okinawa Creative Arts, Nuuanu Shorin Ryu Karate and Tamagusuku Ryu Senju Kai Hawaii and, a special guest, Halau Hula Ka No’eau lead by Kumu Michael Pili Pang. From Okinawa, Daiichi Hirata and members of his academy and Souka Kariyushi. Finally, representing Fukushima is Team Ibuki.

Get ready for a EUPHORIC THUNDERSTORM called DRUMS OF HOPE!

Details:

What: Drums of Hope
Where: Hawaii Okinawa Center
When: Sunday, July 12, 2015 @ 1:00 p.m. and 6:00 p.m.
Cost: $30 General Admission
$100 Super Supporter – Premium Seating

Tickets are sold at the Hawaii Okinawa Center (676-5400) and A Little Bit of Everything (589-0044).

Mauna Kea From My Non-Hawaiian (But Kind of Okinawan) Point of View

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Recently, with the world watching the fate of Mauna Kea unfold, I also began to question the importance of its protection. Several determining life experiences have affected my thoughts of whether or not the construction of 18 story high observatory should be supported. First of all, I have been married to my husband, Alex, for almost 14 years. He is very analytical, while I am very emotionally driven when it comes to making choices. This is why we make a great pair when making family decisions, but, I digress. Secondly, I lived in Okinawa for a year, this is the land of my ancestors, and while I was there I strengthened a bond with them that, as I sit here blogging, trascends over space and time, and there is a phrase for that connection taught to me, by my Sensei Frances Nakachi, to be “tukeya hizamitin” or “transcending hearts.” Finally, my children are always watching me. Through every. thing. we are connecting them to what has been passed on for hundreds and thousands of years. Through what we feed their bodies, minds and hearts as parents, we are showing them what we value as our parents and grandparents taught us through their words and actions consciously or unconsciously.

So now that I have established a little background about a few of my life experiences, I will share with you how I wavered greatly with my feelings about the observatory construction. Being the very balanced married couple that we are, some of Alex’s analytical sense had rubbed off on me and he has learned to consider one’s feelings before sharing his very truthful observations (there is a very funny story about us going on a sushi date and he mentioned that I should be able to at least eat the same amount as him since my stomach was obviously bigger than his). Back to Mauna Kea, many of the questions I initially asked myself involved why science and spirituality can’t get along. Must they be separate? I even went as far as thinking, can this observatory be an enhancement to Mauna Kea procuring a connection to the Universe? On and on my brain went on to justify that the observatory would be good for all people of the world. This may just as well be the same reasons for many who support the construction of the observatory. Later when I read Ed Morita’s article in Frolic Hawaii, I became more convinced that my position was a well supported one. However, for me, I guess, even though I thought of so many good reasons to move forward it did not sit right somehow in my heart. As I write this blog, my discussions with Alex still vary back and forth, and, there are many good arguments that can be made to support the construction. Even with all that, my relationship to my own Motherland, is the single reason I support the protection of Mauna Kea. When this connection was brought to light, I knew with all my heart that Mauna Kea should be protected.

I began to think of a place in Okinawa called Sefa Utaki. It is the most sacred place in Okinawa and people come from around the world to feel its divine, rejuvenating power. Created by the goddess Amamikiyo, Sefa Utaki overlooks the Kudaka Islands. The lush forest, unique rock formations, and caves are her precious treasures. Holy waters drip from stalagmite formations. How saddened I would be if ANY construction would take place at such a beloved sanctuary that has been sacred since the beginning of Okinawa’s history. At this thought, I knew in my heart that Mauna Kea should be protected. No analysis needed, only tukeya hizamitin – my connection to Okinawa and my ancestors. This is a knowing that indigenous people have even when they return to the Motherland that they weren’t even born in, but where their ancestors originated. This is the connection I feel the Hawaiians want to protect, and it’s hard to justify it to those who have not experienced this feeling of connection, but, have so many analytical reasons why we should construct. Is the love for your child less real than the smart phone in your hand because you cannot see it? My friends have shared a powerful video that explains the perspective of those who love Hawaii and are protecting Mauna Kea.

My children are growing up in Honolulu, and right now it’s more important than ever to take them out to play in sun and in the ocean. Technology is so accessible and constant that it takes more effort to unplug them, throw them in the car, and connect them with the land. They need to be in nature so that they know that everything we need to live comes from nature. Sure people can create phones, computers and cars no problem. Food, air and water come from nature. My grandparents were not necessarily strong spiritual people, but they lived off the Hawaiian land, said itadakimasu (expressed gratitude) before each meal, and worked in the yard. It was easy back then to be akin to the land and constantly reminded that it was the land that took care of you. I believe that protecting Mauna Kea is not a protest against technology but protecting the ties of Aloha that transcend through time and space.

If you feel moved to protect Mauna Kea, complete the petition here:  http://petitions.moveon.org/sign/protect-mauna-kea-stop

The Andagi Story

We all know that whether you are Hawaiian, Filipino, Japanese, or Chinese, that you have a mother,grandma or aunty that makes THE BEST squid luau, pancit, ozoni, or jin dui on THE PLANET.  Now, the same goes for Okinawans and their andagi (a golden brown deep-fried orb of a donut made from flour, sugar, milk, eggs, and baking powder).  One day, a friend of mine who we shall call Lisa, said she had a funny story to tell me about her husband. She told me that her new husband was reminiscing about his mother who had passed on years ago.

“I wish I could make andagi the way mom did,” he said.

So excited to hear this, Lisa said, “Oh! My boss’s wife has a REALLY GOOD andagi recipe!”

GASP!! Oh no, she didn’t go THERE!!!

Halfway through her sentence, I was already laughing. Being half Okinawan myself, I knew the golden rule:  EVERY Okinawan person has a family member that makes THE BEST andagi. You can tweak it in secret but never ever admit to using the recipe of another. NEVER!

Back to our newlyweds. So after hearing Lisa’s very well-meaning suggestion, her husband replied, “OH NO!  My mom had THE BEST andagi recipe!”  He went on and on about how it wasn’t too oily, it was delicious, and she could make it the PERFECT size and shape!

I won’t be offering my mom’s andagi recipe to Lisa and her husband, even though it is THE BEST ON THE PLANET!!

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